48 – Rebecca
Ah so we’ve come to Alfred Hitchcock again. But – and this is something I only found out as I was doing research for this review – he didn’t consider this part of his resume. Rebecca was his first American film and – although he had made plenty of hits in his native UK – he was pretty unknown over in Hollywood. And David O Selznick – producer and studio head of United Artists – had plenty of input as well. Knowing this instantly explains why the two adaptations of Daphne du Maurier stories I’ve reviewed (the other one being The Birds) differ in faithfulness. Hitch did his own thing in The Birds and it barely resembles its inspiration. For Rebecca he had United Artists looking over his shoulder making sure he was staying true to the book. Regardless of the amount of proverbial (and possibly literal) mud slinging that happened during filming – and how much the film went over budget – this marked Hitch’s first (and only) Best Picture win at the Oscars. It’s one of his best remembered films, and I had it hyped for me for years before I finally saw it. My mother – who taught me as much about Alfred Hitchcock as the internet has – has a high opinion of this film and has probably been looking forward to this review the most. So shall we go to Manderley?